Early life and work Moving to
Florence when he was around 20, he was exposed to
Leonardo da Vinci, "whom he never ceased to admire as a mentor and father figure", and to
Michelangelo, just eight years his senior, "with whom he later had a stormy and competitive relationship." (Leonardo died in 1519, one year before Raphael, but Michelangelo lived until 1564.) Raphael learned from both men, but while he made use of their exploration of human anatomy, he added sentiment to his paintings.
Florentine period At the end of
1508, he moved to Rome (at the urging of
Donato Bramante, the architect of St. Peter's)
According to Vasari, his premature death on Good Friday (
April 6,
1520,
his 37th birthday) was caused by a night of excessive sex with her, after which he fell into a fever and, not telling his doctors that this was its cause, was given the wrong cure, which killed him. Whatever the cause, in his acute illness Raphael had the wit to receive the last rites, and put his affairs in order. He took the care to dictate his will, in which he left sufficient funds for her care, entrusted to his loyal servant Bavera. Vasari underlines that Raphael was also born on a Good Friday, in
1483, on 27 or 28 March. At his request, he was buried in the
Pantheon.
Roman period Raphael made no
prints himself, but entered into a collaboration with
Marcantonio Raimondi to produce
engravings to Raphael's designs, which created many of the most famous Italian prints of the century, and was important in the
rise of the reproductive print. A total of about fifty prints were made; some were copies of Raphael's paintings, but other designs were apparently created only to be made into prints. Raphael made preparatory drawings, many of which survive, for Raimondi to translate into engraving. The two most famous original prints to result from the collaboration were
Lucretia and
The Massacre of the Innocents. Outside Italy, reproductive prints by Raimondi and others were the main way that Raphael's art was experienced until the twentieth century.
Printmaking The inscription in his marble sarcophagus, a
distichon written by
Pietro Bembo, reads: "Ille hic est Raffael, timuit quo sospite vinci, rerum magna parens et moriente mori." Meaning: "Here lies that famous Raphael by whom Nature feared to be outdone while he lived, and when he died, feared herself to die."
Raphael was highly admired by his contemporaries. When compared to
Michelangelo and
Titian, he was sometimes considered inferior; at the same time, it was maintained that none of them shared all the qualities possessed by Raphael, "ease" in particular.
Legacy Chronology of main works Resurrection of Christ (The Kinnaird Resurrection) (1499-1502)
- Oil on wood, 52 x 44 cm, São Paulo Art Museum, São Paulo, Brazil Angel (fragment of the Baronci Altarpiece) (
1500-
1501)
- Oil on wood, 31 x 27 cm, Pinacoteca Civica Tosio Martinengo, Brescia, Italy Angel (fragment of the Baronci Altarpiece) (
1500-
1501)
- Oil on wood, 57 x 36 cm, Louvre, Paris Holy Family with Madonna of the Veil (1500-1510)
- Galleria Nazionale di Capodimonte, Naples St. Sebastian (1501-1502)
- Oil on wood, 43 x 34 cm, Accademia Carrara, Bergamo The Crowning of the Virgin (Oddi Altar) (c. 1501-1503)
- Oil on canvas, 267 x 163 cm, Pinacoteca Vaticana, Vatican, Rome The Annunciation (Oddi Altar, predella) (c. 1501-1503)
- Oil on canvas, 27 x 50 cm, Pinacoteca Vaticana, Vatican, Rome The Adoration of the Magi (Oddi Altar) (c. 1501-1503)
- Oil on canvas, 27 x 150 cm, Pinacoteca Vaticana, Vatican, Rome The Presentation in the Temple (Oddi Altar, predella) (c. 1501-1503)
- Oil on canvas, 27 x 50 cm, Pinacoteca Vaticana, Vatican, Rome Madonna Solly (Madonna with the Child) (
1500-
1504)
- Oil on tablet, 53 x 38 cm, Gemäldegalerie, Berlin Mond Crucifixion (Città di Castello Altarpiece) (
1501-
1503)
- Oil on wood, 281 x 165 cm, National Gallery, London Three Graces (c. 1501-1505)
- Musée Condé, Chantilly, France St. Michael (c. 1501)
- Louvre, Paris Portrait of a Man (c.
1502)
- Oil on wood, 45 x 31 cm, Galleria Borghese, Rome Connestabile Madonna (
1502-
1503)
- Tempera on wood, 17,5 x 18 cm, The Hermitage, St. Petersburg Madonna and Child (
1503) -
Oil on wood, 55 x 40 cm, Norton Simon Museum of Art, Pasadena The Marriage of the Virgin (
1504)
- Oil on roundheaded panel, 174 x 121 cm, Pinacoteca di Brera, Milan Vision of a Knight (
1504)
- Egg tempera on poplar, 17.1 x 17.1 cm, National Gallery, London St. George (
1504)
- Oil on tablet, 31 x 27 cm, Louvre, Paris Madonna and Child Enthroned with Saints (Colonna Altarpiece), (1504-1505)
- Tempera and gold on wood, 172,4 x 172,4 cm (main panel), Metropolitan Museum of Art, New York Portrait of Perugino (c. 1504)
- Tempera on wood, 57 x 42 cm, Uffizi, Florence
Early works Portrait of Elisabetta Gonzaga (c. 1504)
- Oil on wood, 52,9 x 37,4 cm, Uffizi, Florence Portrait of Pietro Bembo (c. 1504)
- Oil on wood, 54 x 69 cm, Museum of Fine Arts, Budapest Self-portrait (
1504-
1506)
- Madonna of the Grand Duke (c. 1505)
- Oil on wood, 84 x 55 cm, Palazzo Pitti, Florence The Ansidei Madonna (The Madonna between St. John Baptist and St. Nicholas of Bari) (c. 1505-1506)
- Oil on poplar, 274 x 152 cm, National Gallery, London Young Man with an Apple (
1505)
- Oil on wood, 47 x 35 cm, Uffizi, Florence Christ Blessing (
1505)
- Oil on wood, 30 x 25 cm, Pinacoteca Civica Tosio Martinengo, Brescia, Italy Madonna Terranova (
1504-
1505)
- Oil on wood, 87 cm, Staatliche Museen zu Berlin The Madonna of the Goldfinch (c. 1505)
- Uffizi, Florence Madonna del Prato (The Madonna of the Meadow) (c. 1505)
– Oil on wood, 113 x 88 cm, Kunsthistorisches Museum, Vienna St. George and the Dragon (1505-1506)
- Oil on wood, 28.5 x 21.5 cm, National Gallery of Art, Washington La Donna Gravida (1505-1506)
- Oil on wood, 66 x 52 cm, Palazzo Pitti, Florence Portrait of Agnolo Doni (1505-1507)
- Oil on wood, 63 x 45 cm, Palazzo Pitti, Florence Portrait of Maddalena Doni (1505-1507) -
Oil on wood, 63 x 45 cm, Palazzo Pitti, Florence Madonna of the Pinks (
1506)
Young Woman with Unicorn (1506, disputed) - Oil on canvas, 65 x 51 cm, Galleria Borghese, Rome Madonna with Beardless St. Joseph (
1506)
- Tempera on canvas transferred from wood, 74 x 57 cm, The Hermitage, St. Petersburg Saint Catherine of Alexandria (
1507)
- Oil on wood, 72 x 55 cm, National Gallery, London Canigiani Holy Family (1507)
- Oil on wood, 132 x98 cm, Alte Pinakothek, Munich La belle jardinière (1507)
- Louvre, Paris The Deposition of Christ (The Entombment) (1507-1508)
- Oil on wood, 184 x 176 cm, Galleria Borghese, Rome The Three Theological Virtues (tryptic) (
1507)
- Oil on wood, 16 x 44 cm (each), Pinacoteca Vaticana, Vatican, Rome Portrait of a Young Woman (
La Muta) (1507-1508)
- Oil on wood, 64 x 48 cm, Galleria Nazionale delle Marche, Urbino The Tempi Madonna (Madonna with the Child) (
1508)
- Alte Pinakothek, Munich La Madonna de Bogota (Madonna with the Child) (
1507)
- NY Bank Volt, New York Roman period Renaissance painting Italian Renaissance Western painting History of painting